
There is this idea about creativity and art production that says that powerful art can only be produced when an artist is in a state of sadness or deep depression. There is an even stranger notion floating about that the current cult of “happy” is threatening the arts? It has simply become a “bad habit” and “comfort creature” to use sad times as a catalyst for creative inspiration.
Forget happy or sad. Let’s for a moment, flip over another rock and see another real posibility.
Because so many artists have created negatively inspired works, like lemmings, we humans, continue to produce works using the same habit. Somehow people seem to find comfort in misery because it is what is known to be true. New truths can be discovered and pursued… even in the 21st century.
As artists we should be producing work from a positive or neutral source within, so as to model to viewers what it feels and looks like. Inciting positivity and neutrality as the comfortable norm instead of melencholy.
So I say… change your parking spot or sit in a different seat on the train or bus…change feels good.
Hey artists break the “melancholy creative crap habit” and start producing works that inspires as result of having been conceived in a positive or neutral place. I challenge artists to go against the proverbial grain and scratch the word JOY into their work by going into their creative place when they feel GREAT and crank out some positively good work!
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About ginette denault
Ginette DeNault is a third-generation Albertan born and raised in Calgary where she currently resides with her husband and two children.
DeNault works with ease in many mediums but is most intrigued by acrylic paints and soft pastels in their many combinations. Her visions range from melancholic to whimsical revealing subtle social truths that lie at the root of all daily life.
DeNault obtained a Bachelor of Fine Arts degree from the University of Calgary in 1993.
DeNault’s work proposes to engage the viewer into a state of seeing the world one way while providing hidden cues that trigger the mind into seeing the complement to that which is outwardly represented. Extracted from the minds of the viewer are the memories or observations when their matter (mind) mingles with matter (artwork). The images created for the viewer having now entered into the physical realm of the mind the previous qualities of the work vanish and the hidden cues fill the contents of the memory or experience therein the painting.
Like a magician she creates an illusion that has the viewer believing in virtual realities while providing a starting point that is in the material realm of reality, which is familiar to all people. The realities that she layers into her works are ones that seek to address themes that explore the eternal conflicts in the human condition, like those between men and women, self and society, parent and child, sibling and sibling, friend and friend.
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January 12th, 2009 at 1:15 pm
[...] – bookmarked by 6 members originally found by dantams on 2008-12-13 Working in GERM STUDIO…. change feels good http://ginettedenault.wordpress.com/2008/07/08/working-in-germ-studio-change-feels-good/ – [...]
June 19th, 2010 at 3:35 pm
id totally buy your work, but i would have to shine a lot of shoes!!!