
Here is a little story about a Downy woodpecker that landed in a tree above a path not far from home.
A Downy woodpecker lands on a soft spongy fungus growing on a young white barked birch tree. One life piles on top of another, each taking what is needed for growth and survival. The taking cannot be for more than the other can give, as all the lives depend on that truth. Every branch every tree trunk has possibility to the Downy Woodpecker. It is not concerned with success at every try. It keeps pecking holes with the knowledge that it will eventually attain its goal; food. When listening to a woodpecker imagine with every rhythmic strike against the bark the sound of tenacity. Like a never ending metronome click click clicking to the beat of itself. The thin bark of the birch tree does not daunt the Downy woodpecker he will do on that trunk what he has been built to do even if it does not produce optimum results. Why? Because he listens to his instincts that tell him, to keep going. It only takes one tree, one time and one peck to attain what his being so desires. The male Downy is in a feminine cradle—one cannot be without the other if balance is to be achieved. Red—on the woodpecker and around him indicates that desires should be pursued with an instinctual passion.
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About ginette denault
Ginette DeNault is a third-generation Albertan born and raised in Calgary where she currently resides with her husband and two children.
DeNault works with ease in many mediums but is most intrigued by acrylic paints and soft pastels in their many combinations. Her visions range from melancholic to whimsical revealing subtle social truths that lie at the root of all daily life.
DeNault obtained a Bachelor of Fine Arts degree from the University of Calgary in 1993.
DeNault’s work proposes to engage the viewer into a state of seeing the world one way while providing hidden cues that trigger the mind into seeing the complement to that which is outwardly represented. Extracted from the minds of the viewer are the memories or observations when their matter (mind) mingles with matter (artwork). The images created for the viewer having now entered into the physical realm of the mind the previous qualities of the work vanish and the hidden cues fill the contents of the memory or experience therein the painting.
Like a magician she creates an illusion that has the viewer believing in virtual realities while providing a starting point that is in the material realm of reality, which is familiar to all people. The realities that she layers into her works are ones that seek to address themes that explore the eternal conflicts in the human condition, like those between men and women, self and society, parent and child, sibling and sibling, friend and friend.
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